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Tutankhaman And Lord Pascal


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#1 bobdrake12

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Posted 28 September 2002 - 05:17 AM


http://www.ompersona...tutankhamun.htm




Are fatal events linked to the opening of an Egyptian tomb? (excerpts)





Tutankhamun was a young man and he ruled Ancient Egypt for only a short time before he died but significantly, his tomb was one of the very few tombs which was not disturbed by vandals and was found, still intact, by the archaeologists in the 1920s. On the outside of the tomb the now famous curse was written in hieroglyphics: “Death shall come on swift wings to him who disturbs the peace of the King”

This message was viewed with amused scepticism during the excitement of the discovery of the tomb.

As soon as he made his discovery and realised that the tomb was still intact, Howard Carter contacted his wealthy patron, Lord Carnarvon and together the two men became the first men to enter the tomb for thousands of years. Neither of the men realised that by breaking the seal of the tomb and ignoring the warning inscribed on the outside of the tomb, they were to start a series of events that many people believe were caused by the curse of the Pharaoh.

Lord Carnarvon had taken some steps to find out about the curse and the dangers and had visited two mediums before he had left Britain to join Carter. Both mediums had warned him that this trip to Egypt would be his last.

After visiting the tomb in April 1922 Lord Carnarvon died of a high fever caused by an infected mosquito bite on his cheek. As he died, an unexplained power cut struck Cairo and the city was in darkness. In England, his pet dog, Susie, started barking and by the morning she had died too. Back in Cairo, a cobra ate Carnarvon’s pet canary - the cobra being considered the protector of the Pharaohs. Later, a small blemish was found on Tutankhamun’s cheek in the same spot as the infected mosquito had bitten the archaeologist.

The curse of the Pharaoh has remained the subject of much speculation over the years, fuelled by unexplained occurrences and tragic deaths. Of all the members of the expedition to uncover Tutankhamun’s tomb, by 1969 only two members of the team had avoided the curse. In the 1970s when an exhibition of the treasure of Tutankhamun’s tomb was being held in Britain a successor of one of the original team died the same night as he finished packing the treasures. Two men who were organising the exhibition and who were flying the treasures from Egypt died from heart attacks.

There are theories to explain these occurrences. One scientist put forward the theory that the floors of the tomb were covered with radioactive substances, for example, uranium. However, to this day, no one has managed to explain satisfactorily the occurrences surrounding the strange events following the opening of Tutankhamun’s tomb. And perhaps the strangest fact of all is that the man who discovered the tomb, Howard Carter, survived the curse and died of natural causes at the age of 66. Why did the man who made the famous discovery escape the curse while many of his colleagues met untimely and tragic deaths? Only the Pharaohs can say.


Copyright © 2000 Orlando Moure


http://www.att.virtu...Government.html





The burial mask of Lord Pacal, crafted of jade fragments.


One of the most eminent Maya rulers was Lord Pacal. He became king at the age of 6 and legally took the throne at 12. Pacal was a priest/ruler/king for about 50 years before his demise.Government of the Ancient Maya civilization consisted of a large city, the capital, which ruled the surrounding farming area and smaller communities.The capital was made up of a ceremonial center that was surrounded by a few houses and the town hall. It served as the center for all major political, religious, and economic activity, but the ceremonial center had no permanent inhabitants. Priests lived in the ceremonial center during religious ceremonies. Elected officials, from the surrounding farm area, also lived in the ceremonial center during their term and returned to their farms at the end of the term so a new elected official could takeover.

#2 bobdrake12

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Posted 28 September 2002 - 05:20 AM

Tutankhamun was an Egyptian ruler from 1342-1323 BC while Lord Pacal was a Mayan ruled from 703-743 AD.

Were there any similarities?

#3 bobdrake12

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Posted 28 September 2002 - 05:46 AM

Some items found in Tutankhamun's tomb:




Tutankhamun's death mask


________________________________________________________________________


http://www.sis.gov.e...tml/treas14.htm


http://ftp.die.net/mirror/historic/symbols/Egyptian/Tut's''GoldenThrone''.jpg

Tutankhamun's golden throne


This throne was produced in the early years of the reign of Tutankhamun, prior to the religious counterreformation that marked the definitive end of the Amarna Period.

The fabulous scene decorating the backrest is dominated by Aten, the solar disc, whose cult had spread rapidly during the reign of Akhenaten. Its rays terminate in tiny hands and dispense life to the young royal couple. The inscriptions contain the name of the married couple in the Amarna form with Tutankhamun being written as Tutankhaten ('The Living Image of Aten') while the king's wife is given the name Ankhespaaten ('Her Life is Aten').



http://ftp.die.net/mirror/historic/symbols/Egyptian/Tutankhamen'sThrone.jpg

Tutankhamun's throne

In front of the king is Ankhespaamun, spreading an ointment on the left shoulder of her young consort. The queen is leaning slightly forward and in her left hand is a kind of cup containing the unguent. She is wearing a wig cut diagonally at the rear side and surmounted by a crown featuring the emblem of the goddess Hathor (a diadem of asps on which a solar disc rests, enclosed within a pair of horns and from which two long feathers project).

The queen's pleated robe in silver features a play of transparencies in the region of the lower legs. Behind the queen is a small table with long legs on which a necklace has been placed. The entire scene is enclosed within an elaborate frame of floral motifs, open in the upper center section where the solar disc is found.


________________________________________________________________________



http://ftp.die.net/mirror/historic/symbols/Egyptian/Tut'sMirrorCover.jpg

Tutankhamun's mirror cover

Case for mirror, wood, gold and silver-leaf, semi-precious stones, and glass, height cm 27, valley of the kings, tomb of Tutankhamun.


________________________________________________________________________


http://www.sis.gov.e...tml/treas15.htm


http://ftp.die.net/mirror/historic/symbols/Egyptian/Tutankhamun'sCeremonialChair.jpg

Tutankhamun's ceremonial chair

The chair was found within the antechamber annex, together with a mass of other furnishings.

The entire surface is decorated with inlays. Along the top of the backrest runs a frieze of asps from which extends a cartouche with the name of the god Aten surmounted by a solar disc. Below this element, a vulture goddess spreads her wings and grips a shen hieroglyph and two fans in her talons. The vulture is set between two pairs of cartouches in which Tutankhamun is named as Nebkheperura Tutankhaten.

_______________________________________________________________________




http://ftp.die.net/mirror/historic/symbols/Egyptian/Tut'sTomb.jpg

Tutankhamun's tomb

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#4 bobdrake12

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Posted 28 September 2002 - 06:07 AM

http://homepage.powe...ient/treas1.htm


TUTANKHAMUN'S TREASURES - Part 1


The "treasures" of Tutankhamun have been marvelled at since their discovery by Howard Carter in 1922. It took a decade to catalogue, remove and conserve the thousands of items in the small tomb. A few of the items are displayed here and on following pages to be added as time permits. The two innermost sarcophagi are displayed in the Cairo Museum, while the outer most one still holds the mummy of Tutankhamun and resides in his tomb in the Valley of the Kings.




Tutankhamun's second sarcophagus. Differences in its facial features suggest that it was probably intended for someone else.




Tutankhamun's third, innermost sarcophagus. Beaten from heavy gold sheet, it weighs 110.4 kg.


Copyright © 1998-2000 Mark T. Rigby

#5 bobdrake12

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Posted 28 September 2002 - 06:10 AM

http://homepage.powe...ient/treas2.htm


TUTANKHAMUN'S TREASURES - Part 2




A magnificient pectoral with the Sun god represented by both the scarab and the falcon which are fused as one. Above the scarab is the bark of the Moon with the eye of Horus representing the Moon, also shown as a crescent. Composed of gold, lapis lazuli, calcite, turquoise, and glass. It was found on the mummy of Tutankhamun.


Copyright © 1998-2000 Mark T. Rigby

#6 bobdrake12

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Posted 28 September 2002 - 06:13 AM

http://homepage.powe...ient/treas3.htm


TUTANKHAMUN'S TREASURES - Part 3




A detail from part of a large corselet found amongst furniture in Tutankhamun's tomb. Composed of gold, glass paste, ivory and carnelian. The god Amun-Re receives Tutankhamun.


Copyright © 1998-2000 Mark T. Rigby

#7 bobdrake12

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Posted 28 September 2002 - 06:18 AM

http://homepage.powe...ient/treas4.htm


TUTANKHAMUN'S TREASURES - Part 4




Protective eyes of Horus.





Gold rings from the tomb.



Copyright © 1998-2000 Mark T. Rigby

#8 bobdrake12

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Posted 28 September 2002 - 01:54 PM

http://www.sis.gov.e...tml/treas02.htm

Tutankhamun - Part 1





Mask of Tutankhamun. Gold, lapis-lazuli, carnelian, quartz, obsidian, turquoise, and colored glass height cm 54 width cm 39.3 weight 11 kg valley of the kings, tomb of Tutankhamun.


The drama and mysteries surrounding the brief reign of King Tutankhamun and the discovery of his tomb by Howard Carter are almost as fantastic and intriguing as the treasures are themselves. The history of Tutankhamun must begin with that of the heretic king, Akhenaten. Akhenaten was probably married to a second wife called Kit, who bore him a daughter and a son. When the king died, Ay, a member of Queen Tiy's family who had been a high-ranking court-official and advisor to Akhenaten and Smenkhkara, was faced with the necessity of placing a member of the royal family upon the country's throne.

The young prince Tutankhaten (his name was soon to be changed to Tutankhamun) was the only royal son available. His personal name Tutankhamun may mean 'All life is in the hands of Amun,' and his throne name, Nebkheperura, means 'Ra appears in many forms.' The boy-monarch was probably born in Akhetaten (the site of today’s Tell al-Amarna).

According to some Egyptologists, Tutankhamun’s father might have been Akhenaten himself considering the great resemblance of his physiognomy to that of the ‘heretic king.’ However, a text on a lion’s statue found Soleb (in Sudan) and now kept in the British Museum claims Amenhotep III as the father of the young king. It should be kept in mind, however that grandchildren, might well call them ‘father and mother.’

Tutankhamun mentioned upon an Amarna relief from Hermopolis that he was "the son of the king from his body," but the name of that king is not specified. As these reliefs belong to Akhenaten’s sacred buildings, this strengthened the assumption that Akhenaten was Tutankhamun’s father. His mother might have been Princess Kit, perhaps a secondary wife of Akhenaten who had received the epithet ‘Great Beloved Wife’. Since a lock of Queen Tiy’s hair was found encased in three miniature coffins placed one within another amongst the equipment of Tutankhamun’s tomb, she might have been his grandmother.

Tutankhamun was only ten years old when he was married to the third daughter of Akhenaten called Ankhesenpaaten (later Ankhesenamun), probably also a half-sister of his. The latter name means, ‘She lives for the benefit of Amun.’ Being the eldest surviving daughter of Akhenaten and his 'Great Royal Wife' Nefertiti, she was the most legitimate royal heiress, and by marrying her, Tutankhamun further strengthened his legitimacy.




Statuette op Ptah, gilded wood, faience, bronze, and glass height cm 52.8 valley of the kings, tomb of Tutankhamun.

#9 bobdrake12

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Posted 28 September 2002 - 02:00 PM

http://www.sis.gov.e...ml/treas02a.htm

Tutankhamun - Part 2




Statue of the god Khonsu with Tutankhamun’s features, granite; height cm 252, Karnak, temple of Amun-Ra.


The country he ruled was actually run, however, by the vizier Ay, head of the civil administration, and the army commander Horemheb. The king spent about four years in Tell al-Amarna before abandoning Akhenaten's new city and moving to Memphis, center of the country's civil and Military administration.

Tutankhamun was not very strong physically. His relaxed seated figure shown on the back of his throne as he is being anointed by his queen suggests his weakness. On the sides of the small naos covered with gold foil and decorated with embossed relief, the king's figure, shown together with that of his wife, clearly indicates his weak health.

Here he is represented shooting his arrows at ducks while sitting on a chair, not standing, as would be appropriate for such activities. Upon the lid of one of his chests covered with carved and painted ivory, the king is shown standing in a relaxed posture, leaning on his staff. When his body was examined and X-rayed by pathologists after the discovery of his tomb (1923-24), it was suggested that he had suffered from a brain tumor (as the cavity within the skull was larger than normal) and that he might have had chest diseases, causing his early death at about twenty. Archaeological evidence from the dated wine jars found in his tomb and the re-examination of the elbow-joints and the wear of the teeth have further strengthened suppositions about the length of his reign and his untimely death.

During the last examination of the body in 1968, a mark of injury in the king's skull was observed. It has been suggested that this injury might have resulted from the impact of an assassin's weapon and would thus furnish a reason for the monarch's early death.
It is difficult, however, to believe that Tutankhamun was assassinated, and did not die a natural death. This is based upon the following considerations.

The king had been chosen by Ay and Horemheb to occupy the throne, and was beloved, protected, and supported by them.

He had restored the cult of Amun-Ra and reopened his temples and those of the other deities that had been banned under Akhenaten.

He was the one who "suppressed wrongdoing throughout the entire land so that Justice remained. . . His majesty made monuments for all the gods, fashioning their statues of genuine electrum, restoring their sanctuaries as monuments enduring forever providing them with perpetual endowment investing them with divine offerings for the daily service, and supplying their provisions on earth."

In the meantime, the name and figures of Amun-Ra, which had been erased from temples' walls, were re-cut. The properties of Amun, temples that had been confiscated under Akhenaten, were given back. The priests of Amun-Ra were very grateful to Tutankhamun, and when he died they provided him with very elegant funerary equipment and produced great memorial ceremonies for him. One of these was the famous festival of Amun-Ra, revived in the presence of the king and depicted on the walls of the colonnade in the Luxor temple.

#10 bobdrake12

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Posted 28 September 2002 - 02:08 PM

http://www.sis.gov.e...ml/treas02b.htm

Tutankhamun - Part 3




Statue of the god, tarred wood height cm 63,5 valley of the kings, tomb of Tutankhamun.


The young king was buried in the tom originally prepared for Ay in the Valley of the Kings. The latter was also in charge of the funerary ceremonies for Tutankhamun.

Ay himself was later buried in another tomb in the western Valley of the Kings, not far from that of Amenhotep III. Tutankhamun was buried with all the equipment belonging to him and even some other things usurped from Smenkhkara's burial, such as the golden miniature coffins that contained Tutankhamun's embalmed viscera, some gold hands placed on his mummy, and one of the enormous gilt shrines.

Other things were offered to him by high officials, such as a shawabti statue presented to him by general Minnakht and a whip that was given to him by the son of the king, captain of troops, Thutmosis." His tomb was rescued twice from being completely ransacked, whereas his belongings would hardly have been left in the tomb during the reigns of Ay and Horennheb if he had been murdered.

If Tutankhamun's name is never mentioned with the other legitimate rulers of Egypt in the king's lists compiled in the time of Sety I and Rameses II, this is due to the fact that he belonged to the heretic family. In the case of murder, Tutankhamun's widow Ankhesenamun would hardly have been able to consider marrying a foreign Hittite prince and the matter would have been quickly resolved by whoever instigated the murder. In such a case, Ay could have occupied the throne immediately without leaving any chance for the young widow to search for a foreign husband and king.

The young queen who was less than twenty-five years of age when she found herself a widow, might have been obliged to marry the old man Ay, who was called " god's father" and who occupied the throne after Tutankhamun for nearly four years. In the meantime, the queen tried to have a husband of her own choice and a role in ruling the country, even if she could not become pharaoh as Hatshepsut and other women did before and after her time.

It seems that neither Ay, in his role as new king, nor general Horemheb would have allowed Ankhesenamun to occupy the throne as a female pharaoh. The queen was about to violate all laws and traditions by contesting the circumstances that had forced her to first marry her father Akhenaten, then her half-brother Tutankhamun, and probably the old man Ay as well.

In any case, she addressed a message to the Hittite king Suppiluliumas, asking him to send one of his sons whom she might marry and with whom she might rule the country. The letter speaks about the death of her husband and the fact that she had no sons: "They say you have many sons and if you send me one of yours, he shall be my husband. . . I shall never take a servant of mine to make him my husband." The Hittite king did not take the queen's request seriously. He then commented, such a thing has never happened to me in my whole life." More than half a year later, he sent an envoy to investigate the matter, whereupon the queen got upset and sent another letter to the Hittite king.

She told him, "Do you think I would humiliate my country and write to another if I had a son. . . I wrote to yon only because -they say you have many sons. If yon give me one of them, he shall be my husband and he shall be the king of Egypt." This persuaded Suppiluliumas that the queen's intentions were serious, and he sent his son Zannanza toward Egypt, accompanied by a convoy of guards And courtiers and loaded with gifts.

#11 bobdrake12

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Posted 28 September 2002 - 02:14 PM

http://www.sis.gov.e...ml/treas02c.htm

Tutankhamun - Part 4




Falcon above a standard, wood, gold leaf, and bronze height cm 69.2 valley of the kings tomb of Tutankelamun.




Funerary bed by inspired by the Cow Goddess, stuccoed wood, gilded and painted height cm 188 width cm 128 length cm 208, valley of the kings, tomb of Tutankhamun.


The Egyptians, probably guided by general Horemheb, came to know of the queen's plans and correspondences with the Hittite court and had the foreign prince murdered before he could reach his destination. At about the same time, Ankhesenamun disappears from the scene. The angry Hittite king, outraged by the assassination of his son, wanted to set forth with his army and attack Egypt, but never carried out his plans. Evidently Horembeb had prepared a strong army and defenses to protect the northeastern border against any possible invasion.

Ay died two years after this incident, and, with Horemheb occupying the Egyptian throne as the new pharaoh, a new era of stability and order began for the country, while the restoration of the cult of Amun-Ra and the temples of the gods was pursued energetically. From now on, and for the next century and a half, Egypt regained once more its position as a world power.

Whenever the name of Tutankhamun is mentioned, the name of the excavator of his tomb, Howard Carter, is bound to be come up as well. The tomb's sensational discovery in 1922 is considered one of the greatest, if not the greatest, of archaeological finds.

During the nineteenth century, a decree from the khedive permitted consuls of foreign powers to conduct 'legal' excavations what they Would find. Later, excavators were granted about fifty percent of the finds. Illegal excavations had deprived tombs and temples of their original treasures, even of what had been overseen or left in situ by robbers in antiquity. Throughout antiquity, tomb robbers plundered burial sites of both royal and private persons.

The great tomb robberies papyrus, an ancient Egyptian document written in the time of Rameses IX (1110 B.C.), describes the inspection of the royal tombs, believed to have been plundered by a gang of officials and workers in the Necropolis of Thebes. The papyrus also records the thieves' tria1 and the verdict. The tomb of Tutankhamun, however, is not mentioned in the protocols of these papyri, which means that it was already hidden and had been forgotten by thieves.

In 1892, Howard Carter, an Englishman who had begun his career in archaeology as a draughtsman with the Egypt Exploration Fund at Beni Hassan and al-Barsha in Middle Egypt, entered the ‘Service des Antiquites de l’Egypte’ as inspector of antiquities of Lower Middle Egypt.

In 1908, Lord Carnarvon, having obtained a concession to dig at Thebes, asked Carter to conduct the excavation work. Some important discoveries were made, such as the tombs of Thutmosis IV and Hatshepsut. The work was interrupted when First World War broke out in 1914, but resumed in 1917, without any remarkable finds being made for the next five years. the first of November 1922, Carter resumed his excavations for Lord Carnarvon in the Valley of the Kings, just a few meters of the entrance to the tomb of Rameses VI.

After four days, the workers came upon a trench filled with a layer of flint chips that to a staircase cut in the bedrock. The steps led down to a blocked doorway covered with plaster and bearing the seal of royal necropolis: the jackal Anubis above figures of the nine bows, or defeated foes, of Egypt. Carter was convinced at this point that he had come upon a cache that might still preserve objects from the royal tombs. He hardly imagined he was about to discover the most important royal treasure found in three thousand years. He stopped the work and sent a cable to his patron Carnarvon in England: "At last have made wonderful discovery in valley; a magnificent tomb with seals intact. . . Congratulations." When Carnarvon arrived, the sixteen steps of the stairway had been cleared; at their end a corridor went down for about nine meters, ending at another blocked doorway.




Funerary bed, ebony, gold-leaf and blue paint length cm 185 width cm 90, valley of the kings, tomb of Tutankhamun.

#12 bobdrake12

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Posted 28 September 2002 - 02:22 PM

http://www.sis.gov.e...ml/treas02d.htm

Tutankhamun - Part 5




Necklace with scarabs, Gold, lapis-lazuli, carnelian, green feldspar, turquoise length cm 50, valley of the kings, tomb of Tutankhamun.


In the doorways, holes were evident, and a tunnel had been cut through the rubble that filled the corridor. Although the holes had been repaired and resealed in ancient times, this meant that the tomb had been visited' twice by robbers after the king's burial more than 3300 years ago.

On the first occasion, some golden objects and semiprecious stones had been stolen from the antechamber, and on the second, unguents and precious oils had been poured from their vases into light skin bags. On November 26, 1922, Carter and his companions opened a hole in the doorway and saw "wonderful things" glitter and shine in the antechamber. He later wrote that it "was the day of days, the most wonderful that I have ever lived through." The royal names written on objects made it clear that the tomb belonged to King Tutankhamun, few of whose objects had been found before, and whose name appeared only on some monuments. It was clear that the tomb had remained untouched for more than 3300 years, since the names of the heretic family to which Tutankhamun belonged had otherwise been systematically obliterated and replaced by those of other kings, under Horemheb or later.

The treasures of the tomb of Tutankhamun are the only almost complete royal equipage (more than 3500 objects) dating from one of the most prosperous eras of ancient Egypt. They also document the flourishing art and craftsmanship of their time. The objects further illustrate the daily life of a king in the Eighteenth Dynasty. Here we find his scribal outfit containing palettes of different materials (wood, ivory, faience, and stone), some of which show that they had actually been used by the king, the pigments used in drawing and writing being worn.

Amongst the writing implements we find an exquisite tubular case for the preservation of brushes and pens in the form of a palm-tree column, made of wood covered with gold foil and inlaid with semiprecious stones and glass. The next item of interest is an ivory burnisher for smoothing the surface of papyrus by rubbing, made in the form of a brush, the handle of which represents a stylized lily with its stem.

Another object of interest is the alabaster unguent vase made of different pieces cemented together. The vase itself is bound together by two heraldic plants, lily and papyrus, wrapping around it and showing the sma-tawi symbol of unification. There are also two figures personifying the Nile god of Upper and Lower Egypt, which were to provide the royal couple with perfume and thus guarantee the unification of the country.

We also learn about the king's entertainment: his toys and games. A game box upon an ebony stand, in the form of a bed and sledge, presents us with another important item from the treasure of Tutankhamun. The thirty squares of the upper board belong to the senet (or ‘passing game'), and the twenty squares of the lower represent the tjau (or ‘robbers') game, all of them inlaid with ivory. Some of the squares of the senet game are inscribed with hieroglyphic signs meaning beauty, spirits, water, or hazard (or ‘fallen in the water').

Unfortunately, little is known about the rules and the procedure of this game. However, it is assumed that the winner had to reach the square inscribed 'beauty' or 'happiness.' The knucklebones or casting sticks, preserved in a drawer of the box, would be thrown and the player would move his pawns accordingly. A unique object from the tomb is a life-size wooden portrait bust representing the young king, which was presumably used as a mannequin by the tailor fashioning the king's shirts, who would try them on the bust before they were worn by the king. The ears of this bust are pierced, so that earrings could be applied.

#13 bobdrake12

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Posted 28 September 2002 - 02:35 PM

http://www.sis.gov.e...ml/treas02e.htm

Tutankhamun - Part 6




Ring with solar barque, gold, length cm 2.8, valley of the kings, tomb of Tutankhamun.




Pectoral with Isis and Nephthys, gold, quartz, vitreous paste height cm 12 width cm 16.3, valley of the kings, tomb of Tutankhamun.


Also jewelry (143 pieces) was found in the tomb, including gold buckles of openwork, one showing the king in his chariot while chasing enemies and another depicting the intimate life of the king and his queen. There are also necklaces and pectorals of magnificent workmanship and forms. Here the colors of different semiprecious stones play a great role in enhancing the beauty of the objects. They also guarantee eternal life for the king through the amuletic or religious motifs and the representations of scarabs and solar-boats, the symbols of long life an prosperity. The artists mastered various techniques in manufacturing the jewels, such as cloisonné, filigree, granulation, and bead work.

The furniture (for example, beds' thrones, boxes, and shrines) reveals the technical quality of furniture manufacturing especially in terms of design, drawing, and gilding. The chairs found in the tomb are of a different shape, their design show great originality. Some are ornate stool (folding and rigid) decorated with the hieroglyphic signs for unification. The models of folding stools have inflexible with feet in the shape of ducks' necks heads biting in the crossbar holding the legs.

The golden throne of the king is a masterpiece of art and craftsmanship. It is manufactured of precious wood and covered with gold sheet. There are different designs and figures decorating the throne, especially the inner panel of the chair, on which the Aten sun-disk sends' its rays to shine on the king and queen. This symbol harks back to the era of the monotheistic 'heresy,' when Aten was still supreme. The intimate scene of the royal couple showing the queer anointing the relaxed king with perfume is so romantic that it captures our attention completely. Both of them wear their elegant costumes and royal accessories, including ceremonial crowns, beautiful wigs of blue glass, broad collars, decorated dresses, ornate sandals.

The bodies of the royal couple are inlaid with colored glass an semiprecious stones, while the dresses executed in silver. Symbols of protection appear also on the panels of the throne’s armrests: two winged cobras wearing the double crown and the two lion heads that might represent the eastern and western horizons.

Another important chair was designed for ceremonial use (probably for coronation). It features a back panel decorated with fine relief and openwork showing Heh the god of eternity holding two year-signs mounted upon signs of infinity, crowned by the sun-disk and kneeling upon the gold sign.

Here he protects the names of Tutankhamun and grants him long life. The golden winged sun-disk appears above. The accessories (garments, gloves, sandals, scepters) and sacred emblems represent a complete set of personal belongings for a king, to be used during his lifetime and his afterlife journey. The six horse-drawn chariots found dismantled in the tomb are of different designs, some of them showing signs of actual use by the king.

One of the chariots is lavishly decorated with gilt reliefs representing African and Asiatic foes, each with their respective ethnic features, being trampled by the king. Fifty articles of warfare, including swords, daggers, shields, and bows and arrows were also found amongst the objects of the tomb. One of the trumpets, made of bronze with gold overlay, has an incised figure of the king being protected and blessed by Amun-Ra, Ptah, and Ra-Horakhty.

The trumpet has no valves, but is accompanied by a wooden stopper which might have been used for changing the tones and, when covered with a piece of cloth, as a cleaner. The stopper might also have been used as a core to prevent the bell of the trumpet from being crushed or damaged.

The objects found in the tomb also represent belief in the hereafter and relationships with the different deities of the nether world. There are gilded statues of the king fashioned in realistic style and showing the king in various attitudes and forms. Two of them show the king on a canoe trying to harpoon the symbol of evil, the hippopotamus, enemy of the sun-god. He is posed like Horus, in charge of avenging his father Osiris.

Another pair of statues represents the king upon a leopard, wearing the crown of Upper Egypt and holding a flail in one hand and a long staff in the other. These statues might have been put in the tomb to protect the king and enable him to overcome the hazards of the afterlife.

Finally, the objects describe the funeral ceremonies and the burial of a king, including everything to help preserve his body and soul, offering him the protection of spirits and mysterious symbols and assisting in his resurrection. Here are food and drink, statues and sarcophagi, gold masks and shrines, as well as miniature golden canopic coffins for the internal organs. One also finds the canopic box and shrine, and the sacred model boats upon which the king could travel wherever he wanted to in the underworld.

The wall illustrations of the tomb in the Valley of the Kings are painted with funeral processions and scenes and texts relating to the rites performed for the king after his death. These rites were performed by his successor, Ay, and not by the eldest son according to custom. It is likely that the wife of Tutankhamun had two miscarriages, as two fetuses, probably female, were buried with the king. Here, in the place of a son, Ay performs the 'opening of the mouth' ritual. There are also scenes identifying the king with Osiris or depicting his being welcomed by the goddess Nut in the under world.

The presence of all these objects in the tomb of Tutankhamun could mean that all the Royal Tombs at Thebes were as richly furnished, or even more so. On the other hand, it could also attest to how much the contemporary priests and courtiers loved the king and were grateful to him, presenting him with all these beautifu1 things in appreciation of his restoration of the Amun cult and the other deities.

This would explain why the treasure of Tutankhamun was exceptionally rich, since the king represented a concept rather than a person. Most of the objects from the royal tomb were transported to the Egyptian Museum in Cairo and are on view there. Some treasures were left in a storeroom at Thebes, and a few were recently sent to be exhibited at the Luxor Museum. The mummy of Tutankhamun was left in the tomb inside the third outermost coffin of gilded wood, which lies in the quartzite sarcophagus. It is, however, badly preserved, and its members are out of joint and mishandled.

When Howard Carter and his staff removed the objects from the tomb, they first photographed the items in groups before moving them from their original position, and each piece was numbered. Then, some emergency restoration and preservation Operations were conducted and the objects were transferred to the tomb of Sety I, where a laboratory for conservation and packing had been set up.

After wards, the treasures were transported to Cairo and, upon their arrival at the museum, prepared for exhibition. As it was, the museum galleries were by no means prepared to receive the important new finds, which exceeded 3500 pieces. The objects, previously on the upper floor, were distributed to other galleries to make room for the treasures of Tutankhamun.




Detail of Pectoral with and Nephthys, gold, quartz and vitreous paste, height cm 12, length cm 16.3, valley of the Kings, tomb of Tutankhamun.




Casket in the form of a cartouche, height cm 32.1 width cm 30.2 length cm 63.5 valley of the kings toms of Tutankhamun.

#14 bobdrake12

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Posted 28 September 2002 - 02:40 PM

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Tutankhamun - Part 7

Statues of the Ka of Tutankhamun







These two statues were discovered in the antechamber of the royal tomb, facing each other on either side of the sealed entrance to the burial chamber. At the time of their discovery traces of the linen bandages in which they had been wrapped were found, along with two bundles of olive and persea branches placed as offerings, one on the floor, the other still propped against the wall.

The statues, of refined craftsmanship and striking in both their life-size dimensions and the black finish of the skin, are testimony to the skill of the artist who has succeeded in investing their features with a sense of the almost supernatural power they wielded as guardians of the burial chamber. Rather than being designed to frighten eventual intruders, the black skin tone was a reference to the earth and thus, given that these are ka images of the sovereign, emphasizes indestructibility of the creative nature of the king, evoking the aspects of rebirth and cyclical resurrection of Osiris.

The two statues differ only in the type of head covering they are wearing (one a khat head-cloth, the other a nemes) and the inscriptions on their skirts. The king is portrayed in a striding pose, a mace gripped in his right hand and a long staff with a papyrus stem in his left hand. A gilded bronze asp adorns his forehead while the eyes are inlaid and outlined with gilded bronze, as are the eyebrows. A gilded usekh necklace and a pectoral are worn on the chest. The pleated skirt is fastened on the hips with a belt inscribed at the rear and on the buckle with the coronation name of the king Nebkbeperura.

The protruding frontal section of the skirt of the statue with the khat head-cloth carries the vertical inscription "The perfect god, rich in glory, a sovereign to be proud of, the regal ka of Horakhty, the Osiris, and Lord of the Two Lands, Nebkbeperura, made just." The inscription on the statue wearing the nemes records the birth name of the pharaoh, "Tutankhamun, living forever as Ra each day". Both statues are wearing anklets and bracelets of gilded bronze. Although made some years after the end of the Amarna Period, these sculptures clearly show the influence of the art of Akhenaten with their prominent bellies, slim legs and pierced ears.

#15 bobdrake12

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Posted 28 September 2002 - 02:45 PM

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Tutankhamun - Part 8

Portable simulacrum of Anubis






This simulacrum of Anubis was placed at the entrance to the treasure chamber with the muzzle turned toward the burial chamber. When Carter and Carnarvon discovered it, the statue of the jackal was still covered with a linen cloth on which the date of the seventh year of the reign of Akhenaten appeared. A piece of finer cloth had been draped over the neck and below this, a scarf had been tied over a garland of flowers. An artist's palette in ivory with the names of the princess Meritaten, the daughter of Queen Nefertiti, lay between the front paws of the animal.

As usual, Anubis is depicted as a jackal, lying on top of a shrine. This iconography has extremely ancient origins and is also found in writing, where it is used to indicate the title of "Supervisor of the Secrets." The body of the animal is very carefully rendered. The pelt is very taut and clearly reveals the bone structure and tendons. The extended muzzle and the upright ears confer an air of alert vigilance upon the sculpture. Not even the long tail, limply dangling against the rear wall of the shrine, manages to negate the tension pervading Anubis's limbs.

The sculpture is made of stuccoed and tarred wood. Only the inside of the ears and the collar knotted around the neckare in gold leaf. The eyes are in calcite with obsidian pupils, and are outlined with gold. The eyebrows are also gold. The claws are instead made of silver. The shrine is made of wood covered with gold leaf and features an ogee cornice and slightly tapering panels. The decoration includes a double band of pairs of djed pillars alternating with pairs of Isis knots.





Hieroglyphic inscriptions frame each panel and the lower baseboard carries at palace facade' motif. The shrine was made as if to be carried on a sled. Two long bars protrude from the short sides and were used to carry the image of the god in processions. The roof of the shrine can be opened, and placed inside were numerous amulets in faience, eight pectorals, and two alabaster vases, one of which contained a bituminous substance. Originally the objects were packed in pieces of cloth and placed within the shrine in an ordered fashion. When Carter and Carnarvon discovered them they were, however, in complete disarray. Thieves had already rummaged through the contents of the shrine in the hope of finding more precious jewels.

#16 bobdrake12

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Posted 28 September 2002 - 02:49 PM

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Tutankhamun - Part 9

Tutankhamun on the back of a panther







Thirty-four wooden statues were found in the tomb of Tutankhamun, seven portraying the pharaoh and the other twenty-seven depicting various divinities from the Egyptian pantheon. The majority of the statues had been placed in the treasure chamber inside black wooden cabinets mounted on sleds and set along the south wall. Two of these pieces, placed together in the same cabinet, are identical and depict the pharaoh stepping on the back of a panther.

The image of the sovereign is sculpted with great realism in a very hard wood, stuccoed and covered with a thin layer of gold leaf. Tutankhamun is gripping a long staff in one hand and the flail symbolizing his power in the other. He is wearing the crown of Upper Egypt, adorned with the royal asp on the forehead. The body of the snake is painted black.

The modeling of the head and body reflects the influence of Amarna-era art in the emphasis and exaggeration of certain physical details such as the long, forward-tilted neck, the protruding breasts, the swollen belly, and the low waist. It is therefore legitimate to suggest that the statue may have been made for Akhenaten, a hypothesis supported by the fact that when it was discovered it was wrapped in linen cloths that carried inscriptions datable to the third year of this pharaoh's reign.

With its serene, youthful expression, the face features eyes inlaid with obsidian, bronze, and glass. The sovereign is bare chested but is wearing a large collar that covers his breast and shoulders and terminates with a droplet motif. The pharaoh's clothing consists of a long, tightly-fitting loincloth, knotted at the front and lined with thin incisions imitating the folds in the cloth, and sandals on his feet.

The statue stands on a black-painted, rectangular pedestal fixed to the arching back of a panther, also black. The animal is portrayed with great realism, pacing slowly and furtively. Its body has a sinuous, elegant profile and the head, with gilded ears and muzzle, is slightly dipped. A second black-painted pedestal constitutes the base for the entire sculptural group.

The composition is not intended to evoke a hunting scene, since the sovereign is not bearing arms, but rather it has a symbolic value. The panther might constitute an allegorical image of the sky, which in the Predynastic era was depicted as a feline that swallowed the sun in the evening before regenerating it in rejuvenated form the following morning. With the extensive gilding of his body the sovereign could represent the sun god. According to another interpretation supported by a pictorial scene in the tomb of Sety I, the sovereign whose gilding identifies him as the sun god, is located in the under world. The panther is in fact painted black like all the inhabitants of the under world.

#17 bobdrake12

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Posted 28 September 2002 - 02:53 PM

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Tutankhamun - Part 10

Tutankhamun on a papyrus raft







The Treasure Chamber in the tomb of Tutankhamun contained twenty-two black-painted wooden caskets, each of which contained one or more wooden statues portraying the pharaoh or a number of deities from the Egyptian pantheon. All of the figures contained in the black tabernacles are fixed to a rectangular base and at the moment of their discovery were wrapped in a linen cloth datable to the third year of the reign of Akhenaten.

Two twin statues in gilded wood depict Tutankhamun standing upright on a papyrus raft and engaged in a mythical hunt for the hippopotamus symbolizing evil. The pharaoh is represented as the incarnation of Horus, the god that according to the legend fought in the swamps against the evil Seth who was transformed into a hippopotamus and was finally defeated.

Tutankhamun, like the victorious god, has the task of fighting against evil and preserving the universal order of which he is the sole guarantor. The sovereign, seen in a striding pose taking a long, solemn step appears realistically to be concentrating on launching a long spear against his enemy. He is wearing the crown of Lower Egypt decorated at the front with a representation of the royal cobra above his youthful, refined facial features.

His eyes are inlaid. An usekh necklace is depicted around his neck, incised into the wood in imitation of the rows of beads of which it is composed. The soft modeling of the naked torso with the slightly protruding pectoral muscles, the swollen belly and the low hips are clear indications of the influence that was still exercised over the art of this era by the Amarna Period.

The arms are separate from the body and emphasize the dynamism of the hunting pharaoh: in his right hand he is gripping the long spear whilst in his left he is holding a rope in rolled bronze with which to capture the defeated animal. Tutankhamun is wearing a pleated skirt, knotted at the front from where the cloth falls to various levels and opens in a fan-like fashion.

The striding pose of the statue means that the narrow pleats of the cloth adhere tightly to the thighs, allowing the underlying musculature to appear. The pharaoh is wearing precious thong sandals that were part of the his official costume. The front foot is flat on the ground while the rear is poised on the tips of the toes in realistic imitation of the pose of one taking aim prior to throwing a spear.

The slim vessel on which the sovereign is floating is typical of the simple "Its made of papyrus used by the Ancient Egyptians. It is painted in green, with the prow and the stern taking the form of sophisticated images of papyrus flowers with gilded petals. The raft is attached to a rectangular pedestal painted in black that supports the entire sculptural composition.

#18 bobdrake12

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Posted 28 September 2002 - 02:57 PM

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Tutankhamun - Part 11

Casket









Numerous caskets and chairs were piled hazardly (as a result of the violations of the tomb) in the western corner of the antechamber. The containers were almost all rectangular in shape, with lids that were flat, featured triangular pediments, or were vaulted. With the exception of certain examples in alabaster and cane, the majority were made of wood, with precious inlays in ivory, gold leaf, turquoise, or vitreous paste.

Frequently a hieratic or hieroglyphic inscription indicated their function, followed by the name of the sovereign and the ritual verse in which the sovereign was augured "life, strength and health." This casket takes the form of a rectangular parallelepiped, supported on simple square feet and closed with a vaulted lid in imitation of the primitive shrines of Upper Egypt.

The two large button-like knobs in blue faience were used to fasten the casket by means of ties and are placed on the curved part of the lid and in the center of the upper part of the front side.

The decoration is of a sophisticated elegance, thanks above all to the prevalent two-tone color scheme, interrupted only by the checkered frame around the panels, which create an attractive contrast with the elegant turquoise faience inlays on the gilded surfaces. On the long side panels there are a series of five royal cartouches set between asps surmounted by the solar disc; the birth name of the sovereign, Tutankhamun, alternates with his coronation name Nebhheperura. The two cartouches are also found on the front and rear short sides, placed centrally and flanked by the protective figures of the genii of the millions of years arranged symmetrically either side.

#19 bobdrake12

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Posted 28 September 2002 - 03:01 PM

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Tutankhamun - Part 12

Double Balsam Holder






This unusual balsam holder in the form of a double cartouche was used to contain unguents, traces of which have been found inside it. The base is composed of a rectangular plate of silver with the edges decorated with a frieze composed of the hieroglyph ankh flanked by two was scepters, symbol of power. The external surfaces of the recipient are inlaid with vitreous paste that imitates semiprecious stones.

The twin containers fixed to the base are made of gold and take the form of the royal cartouche. Both are surmounted by tall plumes decorated with inlays of red and blue vitreous paste. The center features a solar disc. The pairs of plumes are linked by two gold elements and act as the handle of the lid that closes the container.

Rather than containing hieroglyphs composing the name of the pharaoh, the two cartouches feature, on either side, images of the sovereign sitting on the heb hieroglyph dressed in a long robe, wearing a necklace, and holding the insignia of regality in his hands -- the scepter and the flail. His forehead is decorated with the asp symbolizing pharaonic power. A solar disc from which two royal serpents emerge carrying ankh hieroglyphs, is suspended over the figure of the pharaoh. The naked parts of the body are yellow, executed in the same material used for the solar discs.

The two sides of the cartouches differ only in details. On one side the pharaoh is depicted with the long, black braid traditionally worn by young boys, and with his arms folded on his chest. On the other side, he is wearing the Blue Crown and is resting both hands on his knees. In one case the crown and the face of the pharaoh have strangely assumed a black coloring.

Both of the side walls of the container feature the same embossed scene: the god of eternity Heh is kneeling on a beb hieroglyph and is holding two palm-tree trunks, symbols for time in years, while from one of his elbows hangs the ankh hieroglyph. In correspondence with. the shoulders are two cartouches surmounted by a solar disc that contain the names of Tutankhamun. A winged scarab is depicted above the head of the god Heh. The scarab grips a solar disc between its front legs and the neb hieroglyph between its hind legs.

This last symbol is one of the three hieroglyphs that compose the hieroglyphs representation of the coronation name of the pharaoh, Nebkheperura. The symbolism present in the decoration of this balsam holder was intended to augur life and eternal rule for the sovereign.

#20 bobdrake12

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Posted 28 September 2002 - 03:07 PM

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Tutankhamun - Part 13

Game table






This elegant and precious game table composed of interlocking pieces is the largest of the four discovered in the annex of the tomb of Tutankhamun. The piece takes-the form of a box resting on a base supported by four leonine legs, partially covered with gold leaf and fixed to a sled. The upper surface is veneered with ivory and is subdivided by means of strips of wood into thirty squares, five of which carry inscriptions. The game of senet was played on this board. There are the same number of squares in ivory on the lower surface of the box, three of which are inscribed. This side was used for the game tjau.

On one of the short sides there is an aperture in which a drawer (discovered empty elsewhere in the tomb) would have been inserted. This would once have contained the pieces used for the games which were probably taken away by thieves as they would have been made of precious materials.

The four sides of the box feature yellow hieroglyphic inscriptions with augural phrases in favor of Tutankhamun, to whom the board belonged. The pharaoh's names and complete titles are recorded. The rules of the two games played on this board are unknown, but it is probable that the two competing players had to move their pieces after throwing a stick or a form of die.

Senet was very popular in Egypt from the remotest times. Boards were frequently placed in tombs to allow the deceased to continue playing after their deaths. It had magical-religious values and in the tomb paintings and in the Book of the Dead the deceased appears seated alone, intent on playing an imaginary adversary in a scene symbolizing his successful passage to the spiritual world.

#21 bobdrake12

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Posted 28 September 2002 - 03:13 PM

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Tutankhamun - Part 14

Tutankhamun casket






The high level of artistic skill achieved by artisans in general and the carpenters of the New Kingdom find magnificent testimony in this sandal casket discovered on the floor of the antechamber of the tomb of Tutankhamun, not far from one of the two ka statues.

The decoration (which anticipates one of the fundamental themes in the figurative art of the temples of the Nineteenth Dynasty, the pharaoh in battle defeating his enemies) features six opposing and symmetrical scenes. In each of the two principal scenes, set on the long sides of the casket and delimited by a checker-board frame and a floral frieze, the dominant figure is that of Tutankhamun on his chariot, its reins tied around his waist, while he shoots arrows into the confused mass of his enemies.

The pharaoh, followed by the ordered ranks of his army, represents the guarantor of order, while the enemy hordes (Nubians on one side, Asians on the other) personify chaos. The figure of the sovereign, surmounted by a narrow strip of sky and protected by a solar disc and two vulture symbols of the goddess Nekhbet, is wearing the Blue Crown (kheperesh), a bodice-like garment of crossed straps decorated with an usekh necklace, a short skirt with a broad belt around the waist, and a quiver over his shoulders. The magnificent pair of galloping horses feature plumes on their heads and decorated covers on their backs.

Two conceptually similar pairs of decorative elements occupy the remaining surfaces: on the short sides the king is represented in his sphinx aspect southern enemies, while on the lid, divided into two registers, the motif of the long sides is repeated, with the pharaoh triumphant and shooting arrows at his enemies from his moving chariot. This time the enemy figures are symbolized by the wild animals typically hunted in the desert: lions, antelopes, gazelles, hyenas, wild monkeys, and ostriches.

The casket was closed by means of ties that were attached - to the knobs that can be seen on the lid and the short sides.

#22 bobdrake12

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Posted 28 September 2002 - 03:44 PM

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Tutankhamun - Part 15

Basin with boat at the center






Carter found this object in the delicate, transparent alabaster in the annex to the tomb of Tutankhamun. The use for which it was made is still unknown, but a number of hypotheses have been put forward: perfume holder, unguent vase, or, according to Carter himself, a centerpiece for celebratory banquets and ceremonies, as when it was discovered it was decorated with garlands of flowers and fruit. The piece is composed of a boat mounted on a pedestal, decorated with papyrus stems, buds, and flowers and set within a rectangular basin.

The basin itself takes the form of the top of a building with a projecting moulding and rests on four short cylindrical feet. The exterior and upper rim of the basin are decorated with checkered and garland motifs in gold and multicolored vitreous paste. The side corresponding to the prow of the boat also carries three cartouches containing respectively the birth name (Tutankhamun) and the coronation name (Nebkheperura) of the sovereign, and the name of his wife Ankhesenamun.

Each cartouche rests on the hieroglyph for gold and is surmounted by two tall feathers, which, in the two cartouches of the sovereign, have a solar disc at the center. At either side of the three names are depicted two small asps, each of which has a crown on its head (of Upper and Lower Egypt) and is supported by the symbolic plants of the unified Egypt, the papyrus and the lotus flower.

The boat has graceful lines. The prow and stern terminate in ibex heads, both facing in the same direction, the one at the stern being sculpted as if twisted through 180°.The horns of the two animals are real, the facial features are painted in a dark tone, and the necks are attached to the boat via gold collars inlaid with multicolored vitreous paste.

At the center of the boat rises a small kiosk with a roof similar to those of the shrines and supported by four columns with double capitals composed of a papyrus set in a lotus flower. The four sides of the kiosk are closed with walls as high as the stems of the columns and embellished with plant and geometric motifs. A naked young girl is seated at the prow of the boat and clasps an ivory lotus flower to her breast with her left hand.

Her short curly wig is executed in a grey hard stone. She is wearing a pair of gold earrings, two bracelets of inlaid gold around her wrists, and two armlets above her elbows. At the stern, in contrast, is the unusual figure of a naked dwarf who, when the piece was discovered, was gripping a pole: this is the helmsman of the boat.

His hair is identical to that of the young woman seated at the prow and he is similarly wearing two bracelets at his wrists and two armlets above his elbows. The artisan responsible for this piece was clearly an attentive observer of the physiognomy of the two figures and created an elegant, harmonious object that is well suited to the undoubtedly ornamental function for- which it was intended.

#23 bobdrake12

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Posted 28 September 2002 - 03:57 PM

Tutankhamun - Part 16


http://www.sis.gov.e...tml/treas18.htm




Funerary bed - Funerary bed with sides in the form of Mehet-weret


The rich funerary cache of Tutankhamun included seven beds. Four were those which had actually been used by the sovereign, the other three much taller examples, however, were specially made for the burial ceremonies. Three identical beds are also depicted on the walls of the tomb of Rameses III.


_______________________________________________________________________

http://www.sis.gov.e...tml/treas17.htm




Chalice-shaped lamp


Among the objects in the cache amassed in the tomb of Tutankhamun and arranged around his great shrine, Carter discovered a unique and elaborate lamp in the form of a chalice and composed of a number of elements in translucent alabaster. The cup takes the form of an open lotus flower and is flanked on both sides by rich, intaglio decoration in which the god Horus is depicted kneeling on a number of papyrus plants with his arms raised.

#24 bobdrake12

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Posted 28 September 2002 - 05:03 PM

http://www.compulink...tutankhamun.htm


Tutankhamun


Tutankhamun was an insignificant ruler born at a very exciting time. His Father was Akhenaten, the heretic Pharaoh, who tried to break away from the confines of the old religion and establish a new religion, with himself as sun-god. He moved his capital city away from the old capital at Thebes, and set up a new city 100 miles to the north at Armarna. However on his death, all his ideals were zealously abandoned, the capital was moved back to Thebes, the old gods were re-established - and his son, Tutankhamun, at the time only a boy of 9, was set on the throne.

Tutankhamun only ruled for 9 years before dying an untimely death in 1323 BC. A private tomb in the Valley of the Kings was adapted for the royal burial. Shortly after his death the tomb was broken into and disturbed, and many portable objects and jewels were removed, but the larger objects where perforce left behind. Later the entrance was covered over by huts used by workmen building the much grander tomb of one of his successors, Ramesses VI. The site was completely lost, but in 1922 it was rediscovered by the English archaeologist, Howard Carter, after a long search, lasting over 10 years.

The finds formed the greatest archaeological discovery ever made . . .

____________________________________________________________





The burial, even for this insignificant pharaoh, was incredibly complicated. At the centre of the burial chamber was a large wooden shrine (see below). Inside that was another shrine and inside that a third, and then a fourth shrine.

Then, inside the innermost shrine was the actual coffin. But again, like a series of Russian dolls, there were three successive coffins, one inside the other.


The finest of these was the second coffin, shown here. It was made of wood, but the surface was covered with gold foil, with ornamentation of lapis lazuli, faience and glass. The pharaoh's hands were clapsed across his breast, holding the twin symbols of authority, the crook, and the the flail. The rods of the flail are here clearly visible in




Inside the innermost coffin was the actual mummy. However the head of the mummy was covered by the finest treasure of all - a life-sized mask, made of solid gold.


This reveals what the well-dressed pharaoh was wearing. For the grandest occasions, the Pharaohs did not wear their crowns, but instead wore an elaborate headdress - the nemes-headdress, with horizontal stripes to make him appear bigger and more impressive. Under the headdress was an elaborate collar - the circular bands can be seen - and on his chin was a plaited false beard - made of gold, but with inlays of faience which have decayed to a dull grey colour. On his brow are the symbols of the vulture and cobra, ready to spit fire at Pharaoh's enemies.




There were four shrines, one inside the other. The body was placed inside the innermost shrine.




The antechamber to the tomb was dominated by three great ritual couches or beds. They were the first objects to be seen by the excavators when they entered the tomb.


The sides of the bed were formed by tall slender animals. Whereas the other two beds have recognisable animals - a lion and a cow, the third couch, seen here, shows a composite animal representing the goddess Ammut, with hippopotamus head, crocodile tail, and the legs of a leopard.




Four ritual figurines of Tutankhamun, in various poses: on the right, he is standing on a leopard.




The innermost chamber, called the Treasury was dominated by this shrine with a figure of the jackal-god Anubis on top of it.

It is a portable shrine - note the long poles for carrying it - and it contained a fine collection of jewellery. On top of it was the superb carved figure of the dog-god Anubis

#25 Guest_irishrule_*

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Posted 28 September 2002 - 05:55 PM

You all might be interested in this link as well. The National Gallery of Art in Washington is having an Egyptian show, and they have a virtual tour of it set up their web site. Here's the link:

http://www.nga.gov/e...egypt/index.htm

#26 bobdrake12

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Posted 28 September 2002 - 07:00 PM

irishrule,

Thanks so much for the link!



Canopic chest of Queen Nedjmet




Anubis, god of embalming


Best regards,

Bob

#27 Lazarus Long

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Posted 01 October 2002 - 02:21 PM

Bob I thought you might enjoy this new look at who you are talking about.The Face of Tut

Monday, 30 September, 2002, 20:30 GMT 21:30 UK
Tut's life and death unmasked


British and NZ experts have reconstructed the face

This is the face behind the famous golden death mask of King Tutankhamun.

Scientists and special effects artists in the UK and in New Zealand employed digital techniques normally reserved for crime investigations to reconstruct what the young pharaoh might have looked like.

The fibreglass bust has gone on display at London's Science Museum. It was produced to illustrate a television documentary to be shown on Britain's Channel 5 network.

The programme details evidence that indicates the king might have suffered from a rare congenital disorder that affected his spine.

Fatal injury

The documentary asked Dr Richard Boyer, from the Primary Children's Medical Center in Salt Lake City, US, to examine X-rays of the Egyptian mummy taken in 1968.


Tutankhamun is famous for the death mask of solid gold

His head is like it's on a broomstick or a poker," the researcher explained. "So that if he fell backward or there was a blow to the back of his head - a serious spinal cord injury at that level could be fatal.

"This is a young man who should have a nice, healthy looking cervical spine and this is not a nice healthy looking cervical spine."

Murder hunt

The TV programme is called Who Killed Tutankhamun?

Its producer, Kate Botting, said the spinal problem emerged as FBI investigators sought some answers to the theory that Tutankhamun was murdered.

"He lived in very turbulent times and it does seem likely from what the detectives have found out that he was assassinated," she told the BBC. "The big question is whether it was a political assassination or someone from within his own tight circle who killed him."

She said that when viewers saw the programme, this question would be answered.

Golden artefact

The 1968 x-rays were also the starting point for the facial reconstruction.

Dr Robin Richards, of University College London, calculated how much soft tissue once lay over the skull. Using information on people of the same age, sex, build and ethnic group as Tutankhamun, he was able to build up an approximate likeness on computer.

Special effects artists and a facial sculptor then translated the computer data into a 3D object made from fibreglass.

Tutankhamun's tomb was discovered by British archaeologist Howard Carter in 1922. The king ruled Egypt in the 14th Century BC and died mysteriously at just 18.

His famous golden death mask was just one of the many artefacts removed from the tomb.

#28 bobdrake12

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Posted 02 October 2002 - 12:08 AM

Lazarus Long,

Thanks so much for the article.

The article called, "Who Killed Tut?", is shown further below.

BTW, I have heard that Tutankhamun hated to be called, "Tut".

Bob

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http://www.getty.edu...er/7_3/tut.html




Tutankhamun (center), accompanied by his spirit (right), is welcomed to the underworld by Osiris (left). Photo: Guillermo Aldana.




Tutankhamun represented as the god Osiris. Photo: Guillermo Aldana.

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http://www.sis.gov.e.../html/tut04.htm





More than 3,000 years after the death of the young Pharaoh Tutankhamen, questions are still being asked about how he died. Was it a natural death or was he murdered? The possibility that Tutankhamen did not die of natural causes was first raised 28 years ago when an X-ray analysis of his mummy was made by the anatomy department of the University of Liverpool. It revealed that the king may have died from a blow to the back of his head.

The suggestion caused a controversy among Egyptologists and scientists. If he were murdered, who done it? Was it Aye, Tutankhamen's vizier who ascended to the throne after his death and married his wife? Or was it Horernhab, the army officer who became king after Aye’s short four-year rule? Some archaeologists suggested that Aye and Horemhab might have shared the guilt, working in cahoots to kill the boy.

Early this year, a new X-ray analysis cast more light on the subject, this time suggesting that Tutankhamen may have been murdered in his sleep. The examination was conducted by a trauma specialist at Long Island University, USA, "The blow was to a protected area at the back of the head which you don't injure in an accident, someone had to sneak up from behind," said the specialist.

X-rays also show a thickening of a bone in the cranium which could occur only after a build-up of blood. This would indicate that the king might have been left bleeding for a long time before he actually died. In short, scientists suggest that the king was most probably hit on the back of his head-while asleep and that he lingered, maybe for as long as two months, before he died.

According to Mohamed Saleh, Derictor-General of the Egyptian Museum, the original analysis of Tutankhamen's mummy suggested that the boy king died of a lung disease or even a brain tumour. "This would explain the lump found on the back of his head," he said.

In 1968, when the new analysis was carried out on the mummy, it was suggested that Tutankhamen was hit on the head and murdered by either Aye or Horemhab. "But in my opinion this could not be the case," said Saleh "because Tutankhamen had no enemies; on the contrary, he was loved by the priests and the population because he re-established the stale religion of Amun-Re after the religious revolution under Akhenaten, and re-opened all temples. Moreover," Salah added, "Aye and Horemhab would have had no reason to kill Tutankhamen because he was youth and did not hold authority.

Madelen El-Mallakh, Director-General of Luxor Museum, commented on the traces of a blow to the head: "Who is to say for certain how it was administered, whether it was foul play or accidental," she said. "There is certainly an element of mystery surrounding Tut's death."

Bob Brier, an American Egyptologist, believes that Tutankhamen was indeed murdered, and claims he knows by whom. "It was either by his own personal attendant or by his cup-bearer. No one could easily approach the back of the pharaoh unless it was part of his job to do so," he said. "The king's attendant and his cup-bearers would be the only people allowed to enter his bedroom without arousing suspicion." Brier added that he will back up his hypothesis with archaeological evidence which will be shown in his documentary, The Great Pharaohs.

Such contradictions raised by Egyptologists prompted the Antiquities and Travel Lovers' Committee (ATLC), an Egyptian non-profit organisation, to re-examine Tutankhamen's mummy and tomb and to carry out further research on the possible causes of his death.

The first step was a re-examination of the three tombs on the The ban necropolis belonging to Aye, Horemhab and Tut. The tomb and the treasure of the latter have revealed two pieces of literary evidence suggesting that Aye and Horemhab were innocent of murder.

The first is a papyrus document related to the "opening of the mouth ceremony," a ritual in which the dead man proclaims his innocence of any act he may have committed during his life-time, or mentions any subject he wants to shed light on in preparation for the day of judgement. Tutankhamen's document indicated that Aye was innocent of his murder. Also, on the pedestal of one of Horemhab's statues is a text in which he left a message to all Egyptians, indicating that he was not the man who committed the crime. He declared in writing that he was loyal to his king and carried out all his orders faithfully. He also warned any Egyptian who may read the text, against 'normalising' relations with foreigners and told them never to trust them: "Egyptian brothers, don't ever forget what foreigners did to our King Tutankhamen", Horemhab wrote.

Forensic examination carried out by Egyptian experts on Tutankhamen’s mummy reveal that he was poisoned and it is now suggested that the blow to the back of the head might have happened after his death, during mummification. "His body might have been dropped on the floor and his head hit the flagstones; there is no trace of bleeding around the blow," say experts.

Now another person is being accused of the murder: Tutu or Dudu, described first as an official in the court of Amenhotep III, later that of his son Akhenaten, and, later still, Tutankhamen. He was not an Egyptian and a person of a somewhat un-savoury character who caused friction in the royal household. One of the leaders of a vassal state in Tunib in Palestine reputedly used this man to divert the messages of the Egyptian contingents in the area, so their calls for help failed to reach Egypt, and no aid was given. When AKhenaton realised that he had been supplied with false evidence about the true situation of his troops abroad, he apparently announced that an investigation would be carried out forthwith to discover its source.

His death in mysterious circumstances followed and members of the ATLC suggest that it was Tutu who was responsible for the deaths of Akhenaten and Tutankhamun "because in the tomb of the latter, an object like a trotter was found on which graffiti invokes, 'go to the real killer and beat him and awake him from his death to confess and admit his crime so that the one who is now accused can be declared innocent." Since trotters were not, ritual objects in Ancient Egypt it is suggested that it belonged to outsiders. "Therefore, as Tutu was a foreigner, the priests used the trotter to indicate the nationality of the murderer." Mohamed El-Saghir, head of Upper Egyptian Antiquities, added to the mystery.

He claims that there is insufficient historical or archaeological evidence to suggest that either Aye or Horemhab were murderers, "but what is noteworthy is that Horemhab usurped some of Tutankhamen's treasure and affixed his name to it." El-Saghir referred to the two statues on display in Luxor Museum which were found in the open court of Amenhotep III in Luxor Temple in 1989. These feature the king seated before the god Atum and the goddess Isis respectively.

Beneath each are texts stating: 'Horemhab with gods' and El-Saghir points out that studies on both these statues reveal that they have the same physiognomy as Tutankhamen as well as evidence that the original texts were erased to inscribe the new ones. Analysis on the faint traces of the former show some parts of Tutankhamen's titles. "And as for Aye," El-Saghir continues, "there is insufficient evidence that he is guilty. He was the high priest and was, moreover, the one who wrote Tutankhamen's negative confession and performed " opening of the mouth’ ceremony".

While Tutankhamen's murder is so much in the news, it must not be forgotten that his wife, Ankhespaton, must not been entirely ruled out as a suspect. She was the one who dispatched a message to the Syrian monarch asking him to send one of his sons to marry her following the death of her husband because she was without a son to take care of her; she indicated that she could not marry one of her 'slaves.' Was she referring to Aye? Since there is evidence that Tutankhamen was murdered by poison, could she have been involved in a scheme with his cup-bearer?

#29 bobdrake12

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Posted 02 October 2002 - 12:45 AM

http://touregypt.net...mb/antechamber/




The Egyptian Marketplace has faithfully recreated almost all of the objects that were discovered in King Tutankhamen's Tomb.








One of the most beautiful pieces found in the antechamber. The chair is made of cedar wood. Its legs are carved like the paws of a lion. The deep-red color of the chair is emphasized by a contrasting gold-foil overlay on the winged sun-disc. The back of the chair has an open work representation of Heh, god of Eternity, kneeling and carrying the ankh symbol on one arm.



Six c
[b]hariots were found in a dismantled state in the tomb. This is the first chariot made of wood and tied together by rope and leather. The mantle of the chariot is richly decorated and covered with gold.



EGYPTIAN MARKETPLACE P.O. BOX : 49084 / ATLANTA. GA 30359

#30 bobdrake12

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Posted 02 October 2002 - 12:52 AM

http://touregypt.net...ace/tomb/annex/







Elegant bow-fronted box of red and black wood. The panel on the front has names of Tutankhamen and his queen, and lotus and papyrus plants knotted together symbolizing unification.




One of the beautiful wooden chests found in the annex.


EGYPTIAN MARKETPLACE P.O. BOX : 49084 / ATLANTA. GA 30359




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