DAMABO: Will do. Took a diversion back into my redundant assailing of the Hipster Majority:
Some new thoughts (is it OK to add this to this thead since I started it and since its in the anything goes category?) on the Dominant Culture Hipster-Emo-Indie Hybrid (aka The Hipster Majority):
i.
Faux CultureSomeone not long ago expressed how they woudn't listen to classical music if it was in one of those "Beethoven For Breakfast" CDs, and felt pretty cultured after stating this weak and pathetic attempt to distance her average self from other average people. There is a big problem with this viewpoint:
It doesn't indicate refinement at all. All it really indicates is that the person is 100% controlled by marketing and packaging:
It's the packaging and marketing of the CD that she minds, not the typically high quality recordings on such CDs.
If you want to be a force of benevolence in the world, the next time someone says something like "Oh, I don't listen to those crass Bach for Brunch CDs", reply with something to the effect of: "I see you are very influenced by marketing and packaging then"
This should stop such a pathetic cultural rat-race attempt to scratch and claw for every cultural inch in its tracks. That is, if the person is open minded. Of course, don't be confrontational. It is just calling out the falseness in a flawed attempt to seem refined.
ii.
The Emo BarThis is the culture-level bar I mentioned earlier but did not name. It is the bar that emos, goths and indies set just high enough so that (in their perception) they can be above it and look down on the Bud drinkers, Archie Bunker, Nickelback and the McDonalds goers. But, they NEVER set the bar so high that it only includes the elite and excludes all average people, including themselves. Sincek, in truth, all they really have going for them is Urban Outfitters mass produced clothing and a few mass popular 'indie' bands, like the Ra Ra Riot and the Smith Westerns, both with very well known songs featured in nation-wide advertising campaigns, or Vampire Weekend with its 18 milion view videos on YouTube.
It is a bar that is somewhere around the upper 49th percentile. Barely above average, if even that. That is a generous assessment.
iii.
The Hipster MajorityKinda like the republicans and democrats more or less compose the national population, both being the dominant political affiliations, the Hipster Majority represents all things Urban Outfitters, Hot Topic, Starbucks, dyed hair, 'indie music', The Pixies, Beck, graphic novels, Red Stripe, Moleskine, The Decemberists, and Haruki Murakami.
The problem is, I don't think there is a term that describes the other majority/dominant culture that includes Archie Bunker, Mc Donalds, Nickelback, Ben Affleck, Football, Budweiser, Van Halen, Levis, and Norman Rockwell.
Anyone got a name for this other dominant culture?
Put the Hipster Majority together with this other unnamed group and you pretty much cover 80% of the American population.
iv.
Robert Louis Stevenson and the Modernist EstablishmentThe Modernist Establishment is very powerful. Those who think America is a bunch of crass people who like Michael Bolton and barn dances and that their small average clique rise above this are sadly mistaken. The problem with such delusions is they allow a powerful modernist and post-modernist estabishment to dictate public education and culture at all levels, even into faddish pop culture. As much as the hipster majority wants to believe it so they can feel special about themselves, American culture at the university and public school level is not dicated by people who like Garth Brooks and rodeos. It is dictated by a powerful elite who EXCLUDE all things like Garth Brooks and Zane Grey and who only allow in 'Modern' culture of the late 19th and into the 20th centuries (except for a few classics like Apology, Hamlet, Inferno, etc).
An example:
I am not a fan of Robert Louis Stevenson, but the Modernist Establishment excluded him from antholigization and school and university cirriculums. This is unfortunate, since light adventure tales written by a master are a fantastic bridge between pop literature and great literature for those who are reaching and fumbling through life looking for a sign.
Here is a well-referenced Wikipedia excerpt on the plight of Robert Louis Stevenson's literature in modern volumes and classrooms. Apologies to the Hipster Majority: As much as you want to contrast yourselves from an America that is run by the Big Mac crowd, it just isnt like that. After the rise of Modernism, nothing except modernism had made university and school teachings. When was the last time a romance novel was 'taught' in high school?
Stevenson was a celebrity in his own time, but with the rise of modern literature after World War I, he was seen for much of the 20th century as a writer of the second class, relegated to children's literature and horror genres.[80] Condemned by literary figures such as Virginia Woolf (daughter of his early mentor Leslie Stephen) and her husband Leonard, he was gradually excluded from the canon of literature taught in schools.[80] His exclusion reached a height when in the 1973 2,000-page Oxford Anthology of English Literature Stevenson was entirely unmentioned; and The Norton Anthology of English Literature excluded him from 1968 to 2000 (1st–7th editions), including him only in the 8th edition (2006).[80] The late 20th century saw the start of a re-evaluation of Stevenson as an artist of great range and insight, a literary theorist, an essayist and social critic, a witness to the colonial history of the Pacific Islands, and a humanist.[80] Even as early as 1965 the pendulum had begun to swing: he was praised by Roger Lancelyn Green, one of the Oxford Inklings, as a writer of a consistently high level of "literary skill or sheer imaginative power" and a co-originator with H. Rider Haggard of the Age of the Story Tellers.[81] He is now being re-evaluated as a peer of authors such as Joseph Conrad (whom Stevenson influenced with his South Seas fiction), and Henry James, with new scholarly studies and organisations devoted to Stevenson.[80] No matter what the scholarly reception, Stevenson remains popular worldwide. According to the Index Translationum, Stevenson is ranked the 26th most translated author in the world, ahead of fellow nineteenth-century writers Oscar Wilde and Edgar Allan Poe.[3]If America was truly running rampant with beeftards and cowpokes, the above modernist elitist exclusion of Stevenson from the curriculums followed by 100s of millions of public school and university students would not have happened.
For the record, I am a rabid modernist and am never happier than when at the MoMA or Guggenheim in the overwhelming and heart-palpitating presence of my favorite masterworks, but the truth cannot be denied. If Modernism/Post-Modernism (as outlooks, not as what is 'modern' in the literal sense) wants to reign for another 100 years, it should open its doors to lowbrow culture beyond Warhol and Lichtenstein. In his time, Shakespeare was closer in public perception to Crichton than to Yann Martel, Murakami, and Faulkner. That is another painful truth for the Hipster Majority.
Edited by Brafarality, 15 July 2012 - 08:01 AM.